Steven Spielberg – The Intelligent Collector Magazine

Civil War question: What were these men thinking?

This albumen print of a Union encampment, most likely of the 110th Pennsylvania Volunteer Infantry, sold for $2,868 at a November 2008 Heritage auction.

By Jim O’Neal

The last truly great Civil War book I read was Doris Kearns Goodwin’s Team of Rivals: The Political Genius of Abraham Lincoln (2005). The award-winning book focuses on the 1860 presidential election and how underdog Lincoln was able to secure the Republican nomination against three formidable opponents, and then win the presidency without a single Southern vote (he was not on any Southern ballot).

Then, it deftly explains how President Lincoln was able to recruit all three Republican opponents to serve as key members of his Cabinet: New York Senator William H. Seward (Secretary of State), Ohio Governor Salmon P. Chase (Treasury Secretary), and Missouri’s favorite son Edward Bates (Attorney General). Next was the brilliant way he managed to leverage each man’s strength and weakness into a form of political-enemy synergy.

Steven Spielberg secured the film rights before the book was written and his 2012 movie Lincoln was highly acclaimed. Out of 14 Oscar nominations, Daniel-Day Lewis won for Best Actor. But the movie was really only about the last four months of Lincoln’s life when he maneuvered to get the 14th Amendment approved. Neither the book nor film spends much time on the Confederacy or the underlying circumstances that made the Civil War inevitable.

This is not unusual, since books about Lincoln, his Cabinet and the generals of the war pop up with regularity. Relatively little has been written about the Confederacy per se (i.e. the formal government of the South). The primary focus seems confined to biographies of Robert E. Lee, Thomas “Stonewall” Jackson or the famous battles between the North and South (such as Gettysburg).

Sure, people might know that Jefferson Davis was president of the CSA or that Alexander H. Stephens was vice president. But these two men were in office the entire war, from April 1861 to May 1865. Perhaps interest in individuals is limited because, as some historians argue, the Confederate States of America represented an entire people’s effort to cling to their past. They feared after the 1860 election that Lincoln and the now-dominant Republicans would simply force them to abandon the practice of slavery. So they naively decided to secede from the Union and start their own country.

They started with seven secessionist slave-holding states and in February 1861 established a new Confederacy in Montgomery, Ala., before Lincoln even took office. After Confederates fired on Fort Sumter in April, four more states seceded and joined the Confederacy (now based in Richmond, Va.). Missouri and Kentucky were later accepted but did not secede. Two seats in the Confederate Congress were given to Southern California.

Organizationally, the Southern government was much like the North. They had a Constitution and a Cabinet with six departments that composed the executive branch. With few exceptions, they replicated their counterparts in the Union. A prominent exception: the Attorney General was elevated to Cabinet status. It grew in importance since the Confederacy had no Supreme Court; the Department of Justice arbitrated any legislation or constitutional disputes.

However, most departments discovered their limitations once the War started. The Navy began the war without a single major vessel and soon lost easy access to international sea-lanes from Southern ports. The Treasury and War departments did not have the resources of their Union counterparts, little things like enough money or an army and a non-industrial economy. Here, one must ask: Who were these men and what were they thinking?

Some deep thinkers sincerely believe it was an honest attempt to build a New South with 11 individual states forging a future based on prosperity from land and slaves. After all, only 4 percent to 5 percent had direct involvement with the institution of slavery. The majority considered their way of life inviolate enough to defend it by force of arms. However, despite obvious mismatches from virtually every aspect, that did not deter its political leaders. They assured the Southern people that courage and determination could substitute for limited resources, limited manpower and lack of foreign aid.

The South’s goal of independence was as absolute as the North’s determination to maintain the Union. Hence, the objectives of the opposing governments could be neither compromised nor harmonized. The Civil War would have to be a fight to the finish.

For four long years, against impossible odds, the South persevered and suffered. It accepted honorable defeat and then wrapped itself in nostalgia. The South’s postwar vision of “The Lost Cause” – fighting and surrendering with honor – became a soothing balm for the sores of war.

However, President Jefferson Davis would admit much later, “The simple fact was the people had gone to war without considering the cost.”

Case closed.

Intelligent Collector blogger JIM O’NEAL is an avid collector and history buff. He is president and CEO of Frito-Lay International [retired] and earlier served as chair and CEO of PepsiCo Restaurants International [KFC Pizza Hut and Taco Bell].

100 Years Before Rosa Parks, There was Octavius Catto

Rosa Parks refused to give up her seat on a segregated bus, sparking the Montgomery, Ala., bus boycott.

By Jim O’Neal

Most Americans are familiar with Rosa Parks and recall the heroic story of a weary black woman on her way home after a hard day at work who refused to give up her seat and “move to the back of the bus” to make room for white people. The date was Dec. 1, 1955, and the city was Montgomery, Ala.

Later, she would be arrested during the ensuing Montgomery bus boycott that lasted 381 days. She was fined $10, but ultimately vindicated by the U.S. Supreme Court, which ruled the segregation law was unconstitutional. After her death, she became the first African-American woman to have her likeness depicted in the National Statuary Hall in the U.S. Capitol.

Parks (1913-2005) earned her way into the pantheon of civil rights leaders, but few remember a remarkable man who preceded her by a century when streetcars were pulled by horses.

His name was Octavius Valentine Catto (1839-1871) and history was slow in recognizing his astonishing accomplishments. Even the epitaph on his tombstone shouts in bold letters “THE FORGOTTEN HERO.” One episode in his far-too-short but inspiring life is eerily similar to the events in Montgomery, only dramatically more so. Catto was a fierce enemy of the entire Philadelphia trolley car system, which banned black passengers. On May 18, 1865, The New York Times ran a story about an incident involving Catto that occurred the previous afternoon in Philadelphia, “The City of Brotherly Love” (at least for some).

Paraphrasing the story, it describes how a colored man (Catto) had refused all attempts to get him to leave a strictly segregated trolley car. Frustrated and in fear of being fined if he physically ejected him, the conductor cleverly side railed the car, detached the horses and left the defiant passenger in the now-empty stationary car. Apparently, the stubborn man was still on-board after spending the night. It caused a neighborhood sensation that led to even more people challenging the rules.

The following year, there was an important meeting with the Urban League to protest the forcible ejection of several black women from Philadelphia streetcars. The intrepid Catto presented a number of resolutions that highlighted the inequities in segregation, principles of freedom, civil liberty and a heavily biased judicial system. He also boldly solicited support from fellow citizens in his quest for fairness and justice.

He got specific help from Pennsylvania Congressman Thaddeus Stevens, a leader of the “Radical Republicans” who had a fiery passion for desegregation and abolition of slavery, and who criticized President Lincoln for lack of more forceful action. Stevens is a major character in Steven Spielberg’s 2013 Oscar-nominated film Lincoln, with Tommy Lee Jones gaining an Oscar nomination for his portrayal of Stevens. On Feb. 3, 1870, the 15th Amendment to the Constitution guaranteed suffrage to black men (women of all colors would have to wait another 50 years until 1920 to gain the right to vote in all states). It would also lead to Catto’s death. On Election Day, Oct. 10, 1871, Catto was out encouraging black men to vote for Republicans. He was fatally shot by white Democrats who wanted to suppress the black vote.

Blacks continued to vote heavily for Republicans until the early 20th century and were not even allowed to attend Democratic conventions until 1924. This was primarily due to the fact that Southern states had white governors who mostly discouraged equal rights and supported Jim Crow laws that were unfair to blacks. As comedian Dick Gregory (1932-2017) famously joked, he was at a white lunch counter where he was told, “We don’t serve colored people here,” and Gregory replied, “That’s all right. I don’t eat colored people … just bring me a whole fried chicken!”

Octavius Catto, who broke segregation on trolley cars and was an all-star second basemen long before Jackie Robinson, would have to wait until the 20th century to get the recognition he deserved. I suspect he would be surprised that we are still struggling to “start a national conversation” about race when that’s what he sacrificed his life for.

JIM O’NEAL is an avid collector and history buff. He is president and CEO of Frito-Lay International [retired] and earlier served as chair and CEO of PepsiCo Restaurants International [KFC Pizza Hut and Taco Bell].

Muggy Day in 1958 Gave Us One of Coolest Events in Music History

A vintage photograph of jazz vocalist Maxine Sullivan, signed, was offered in an October 2007 auction.

By Jim O’Neal

On an otherwise routine day in August 1958 (most claim it was the 12^th – a few are not positive), the epicenter of American jazz was at 126th Street, between 5th and Madison, in New York City. Perhaps 57 or 58 of the greatest and near-greatest jazz musicians were assembled to have their picture taken – Willie “The Lion” Smith may have gotten bored and wandered off. They had been invited by Esquire magazine for a cover story, “The Golden Age of Jazz,” published in January 1959.

Jimmy McPartland was definitely not there since his wife, Marian, could not get him out of bed early enough for the scheduled 10 a.m. event. In fact, Marian was one of only three women there, including vocalist Maxine Sullivan and pianist Mary Lou Williams. Three other luminaries – Charlie Parker, Duke Ellington and Louis Armstrong – were not pictured, but many legends like Gene Krupa, Roy Eldridge and Thelonious Monk were there for the 10 a.m. event and right on time.

One cat said (seriously) he was surprised when he found out there were two 10 o’clocks every day!

The idea was Art Kane’s, an ambitious freelance photographer/art director who also volunteered to take the photograph, in spite of his almost total inexperience. Presumably, no one involved was aware they might be making history; primarily what gets recorded as history – like the very best jazz – can be surprising and unpredictable. Kane’s photograph was a way cool picture taken on a typical muggy New York City day.

To really understand the story behind the picture, watch the 1995 Oscar-nominated documentary A Great Day in Harlem. It was directed by first-time documentary filmmaker Jean Bach, who in her late 70s had more gumption, style and resilience than any of today’s self-proclaimed, oh-so-hip filmmakers could ever muster. She knew and loved jazz and the only city where that historic picture could possibly have been taken. She worked on the film with a great producer, Matthew Seig, and a superb editor, Susan Peehl. They all knew what they were doing and that shows, too, from the opening frame to the final credit. Jazz critic Whitney Balliett wrote in The New Yorker that the film is “about the taking of the picture, and it’s also about mortality, loyalty, talent, musical beauty and the fact that jazz musicians tend to be the least pretentious artists on earth.”

Of the 57 jazz musicians/artists in the photograph, only two are still alive. Walter Theodore “Sonny” Rollins (87). He’s a terrific tenor/soprano saxophonist who has lived a remarkable life that includes music (check out his album Saxophone Colossus, recorded in 1956 and preserved in the Library of Congress for artistic significance); a stint in Rikers Island for armed robbery; and being one of the guinea pigs for using methadone to break a heroin habit. There are way too many honorary awards to list.

The other survivor is Benny Golson (89), a tenor saxophonist, composer and arranger who worked with superstars like Lionel Hampton and Dizzy Gillespie. Golson also gained a modicum of fame from the 2004 Steven Spielberg movie The Terminal, which stars Tom Hanks as a traveler trapped in JFK airport over a visa issue. Hanks is on a fictional quest to get Golson’s autograph – the only one his jazz enthusiast father needs to have all 57 autographs of the musicians in the original photograph. Trivia spoiler… he gets it!

Man those cats could play!